Metamorphosis and Existentialism Essay

Existentialism is defined as a modern philosophical movement stressing the importance of ones experience and accountability. Its focus is the make on the personalized reflections that these make on the individual, who is seen as a free agent in a deterministic and seemingly meaningless universe. Its philosophy is meticulous that, in a nutshell, advocates a diverse arsenal of responses and solutions to the existential philosopher philosopher attitude which, essenti whollyy, is what an individual feels when confronted by the absurdity of intent.Throughout hu pieceity, expression and self-proclaimed ultimate truths have assumed mixed forms poetry, religion, and numerous other doctrines and textual works. In The Metamorphosis, Franz Kafka narrates the ramifications of a metamorphosis in which the subject and protagonist, a globe named Gregor Samsa, is transformed into a bug. Despite the novellas literary methods and influences, the near prominent being the authority Kafka so nonch alantly describes such irregularity in his life, The Metamorphosis is also hailed as a autochthonic textual work of existentialist philosophy, the previously mentioned philosophical movement.Both prior and subsequent to the transformation, Kafka portrays Gregor as a man who seems lost within himself, and lacking identity. The reminiscences of his past are neither nostalgic nor poignant his human life is seen to revolve solely around trivial matters. His social life pays the price from this, his failure to assert a concrete and consistent existence. The extent of his lack of individuality is further exemplified by his reaction to the metamorphosis finding himself transformed in his bed into a gigantic insect (Kafka, 296), he prioritizes work over all else, even in his newly equated insect form.Furthermore, he panics because the next train went at seven oclock to catch that he would need to hurry like mad and his samples werent even jammed up (297). Gregors identity crisis is a de vice for conveying Kafkas belief of an impersonal nightclub where individualism is drastically mitigated as a result of excessive materialism. Gregor, in the context of Fyodor Dostoyevskys Notes from Underground analogy, would be the ant in the anthill thus rendering his metamorphosis ironically. Another ascendant theme prevalent throughout the novella is the absurd situation Gregor is confronted by.These nonsensical happenings (296-327) reflect the world as seen from the existentialist perspective a world absent of a rational and comprehensive objective. Jean-Paul Sartre postulated that every actual thing is born without reason, prolongs itself out of weakness, and dies by chance. This meaninglessness is precisely what Gregor is victim to in the microcosm of nightspot that Kafka generates Gregor flounders about, beleaguered by absurdity and helplessness, presumably because he is unaware of Nietzsche and Kierkegaards somewhat consoling conclusions that one essential devise mean ing for ones own existence ex nihilo.Once again, Kafka utilizes a compounding of plot and character to convey his angst concerning an apparently pointless existence. Freedom or rather the lack thence is another existentialist tenet that Kafka addresses. Gregor is depicted as someone constrained by self-imposed burdens, the most demanding being the role as the financial pillar of the family. Despite having the freedom to repudiate this role, Gregor instead pursues it with feverous ardor to the extent that it becomes his sole desire (310).Yet his harangue regarding his career (297-298) reveals that this is not due to personal desire, but rather the belief that he must replace his father financially, regardless of preference. Gregors deception regarding an absence of choice contradicts what Kafka perceives as the truth that freedom is ubiquitous in spite of any honourable obligations we may be expected to adhere to, and that the individual defines his or herself via ones decisions. A quasi-motto of existentialism coined by Sartre, existence precedes essence. In conclusion, Kafka employs the fictional literary elements he constructs to address the very non-fictional, existentialist aspects of society and life. Akin to Dostoyevskys Notes from Underground, it can be interpreted as both a rumination and tirade against impersonal communities, restriction of freedom, and the absurdity of life.